It is thus conjectured that the earliest Indo-European writings may have been carved on beech wood.
This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Oral traditions of storytelling are found in several civilisations; they predate the printed and online press.
Storytelling was used to explain natural phenomena, bards told stories of creation and developed a pantheon of gods and myths. Oral stories passed from one generation to the next and storytellers were regarded as healers, leader, spiritual guides, teachers, cultural secrets keepers and entertainers.
Oral storytelling came in various forms including songs, poetry, chants and dance.
Lord identified two types of story vocabulary. The first he called "formulas": In other words, oral stories are built out of set phrases which have been stockpiled from a lifetime of hearing and telling stories.
The other type of story vocabulary is theme, a set sequence of story actions that structure a tale. Just as the teller of tales proceeds line-by-line using formulas, so he proceeds from event-to-event using themes.
One near-universal theme is repetition, as evidenced in Western folklore with the " rule of three ": Three brothers set out, three attempts are made, three riddles are asked. A theme can be as simple as a specific set sequence describing the arming of a herostarting with shirt and trousers and ending with headdress and weapons.
A theme can be large enough to be a plot component. A theme does not belong to a specific story, but may be found with minor variation in many different stories.
The story was described by Reynolds Pricewhen he wrote: Millions survive without love or home, almost none in silence; the opposite of silence leads quickly to narrative, and the sound of story is the dominant sound of our lives, from the small accounts of our day's events to the vast incommunicable constructs of psychopaths.
They are clearly not intended to be understood as true. The stories are full of clearly defined incidents, and peopled by rather flat characters with little or no interior life.
When the supernatural occurs, it is presented matter-of-factly, without surprise. Indeed, there is very little effect, generally; bloodcurdling events may take place, but with little call for emotional response from the listener.
When the supernatural intrudes as it often doesit does so in an emotionally fraught manner. Ghost and lovers' leap stories belong in this category, as do many UFO stories and stories of supernatural beings and events.
Ong 's Orality and Literacy: The Technologizing of the Word Ong studies the distinguishing characteristics of oral traditions, how oral and written cultures interact and condition one another, and how they ultimately influence human epistemology.
Storytelling and learning[ edit ] Orunamamu storyteller, griot with cane Storytelling is a means for sharing and interpreting experiences. Berger says human life is narratively rooted, humans construct their lives and shape their world into homes in terms of these groundings and memories.
Stories are universal in that they can bridge cultural, linguistic and age-related divides. Storytelling can be adaptive for all ages, leaving out the notion of age segregation. So, every story has 3 parts.
First, The setup The Hero's world before the adventure starts. Second, The Confrontation The hero's world turned upside down.
Third, The Resolution Hero conquers villain, but it's not enough for Hero to survive.A dull title might put readers off, an interesting title can make a good impression and make a reader want to read on.
If you enter writing competitions, a good title might catch the attention of the judges and also make your short story stick in their minds.
Aug 21, · How to Create a Good Story Title. A Rose for Emily” or Gone with the Wind, draws readers with an elegant turn of phrase that promises an equally poetic story or writing style.
Titles that evoke vivid imagery appeal to readers because they conjure something tangible and meaningful%(). WRITING AN EFFECTIVE TITLE Problem Writers often omit or underuse the helpful tool that is an essay title.
Feeling stuck, writers may give up on generating a title, or merely label their essays by assignment sequence (“Paper #2”).
Writing short stories means beginning as close to the climax as possible — everything else is a distraction. A novel can take a more meandering path, but should still start with a scene that sets the tone for the whole book.
A short story conserves characters and scenes, typically by focusing on. A reader asks: When writing about a short story, do you underline the title of the story or do you use quotation marks around the title of the story? Introduction. If you are new to screenwriting, planning to write a screenplay or script of any kind, the good news is that writing in screenplay format is easier and more intuitive today than at any time since first Lanier Word Processing Machine.