An analysis of the three musketeers book by alexandre dumas

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An analysis of the three musketeers book by alexandre dumas

The title attracted me; I took them home with me, with the permission of the guardian, and devoured them. It is not my intention here to enter into an analysis of this curious work; and I shall satisfy myself with referring such of my readers as appreciate the pictures of the period to its pages.

They will therein find portraits penciled by the hand of a master; and although these squibs may be, for the most part, traced upon the doors of barracks and the walls of cabarets, they will not find the likenesses of Louis XIII, Anne of Austria, Richelieu, Mazarin, and the courtiers of the period, less faithful than in the history of M.

But, it is well known, what strikes the capricious mind of the poet is not always what affects the mass of readers. Now, while admiring, as others doubtless will admire, the details we have to relate, our main preoccupation concerned a matter to which no one before ourselves had given a thought.

D'Artagnan relates that on his first visit to M. We must confess these three strange names struck us; and it immediately occurred to us that they were but pseudonyms, under which d'Artagnan had disguised names perhaps illustrious, or else that the bearers of these borrowed names had themselves chosen them on the day in which, from caprice, discontent, or want of fortune, they had donned the simple Musketeer's uniform.

From that moment we had no rest till we could find some trace in contemporary works of these extraordinary names which had so strongly awakened our curiosity. The catalogue alone of the books we read with this object would fill a whole chapter, which, although it might be very instructive, would certainly afford our readers but little amusement.

It will suffice, then, to tell them that at the moment at which, discouraged by so many fruitless investigations, we were about to abandon our search, we at length found, guided by the counsels of our illustrious friend Paulin Paris, a manuscript in folio, endorsed orwe do not recollect which, having for title, "Memoirs of the Comte de la Fere, Touching Some Events Which Passed in France Toward the End of the Reign of King Louis XIII and the Commencement of the Reign of King Louis XIV.

The discovery of a completely unknown manuscript at a period in which historical science is carried to such a high degree appeared almost miraculous. We hastened, therefore, to obtain permission to print it, with the view of presenting ourselves someday with the pack of others at the doors of the Academie des Inscriptions et Belles Lettres, if we should not succeed--a very probable thing, by the by--in gaining admission to the Academie Francaise with our own proper pack.

This permission, we feel bound to say, was graciously granted; which compels us here to give a public contradiction to the slanderers who pretend that we live under a government but moderately indulgent to men of letters. Now, this is the first part of this precious manuscript which we offer to our readers, restoring it to the title which belongs to it, and entering into an engagement that if of which we have no doubt this first part should obtain the success it merits, we will publish the second immediately.

In the meanwhile, as the godfather is a second father, we beg the reader to lay to our account, and not to that of the Comte de la Fere, the pleasure or the ENNUI he may experience. This being understood, let us proceed with our history. Many citizens, seeing the women flying toward the High Street, leaving their children crying at the open doors, hastened to don the cuirass, and supporting their somewhat uncertain courage with a musket or a partisan, directed their steps toward the hostelry of the Jolly Miller, before which was gathered, increasing every minute, a compact group, vociferous and full of curiosity.

In those times panics were common, and few days passed without some city or other registering in its archives an event of this kind. There were nobles, who made war against each other; there was the king, who made war against the cardinal; there was Spain, which made war against the king. Then, in addition to these concealed or public, secret or open wars, there were robbers, mendicants, Huguenots, wolves, and scoundrels, who made war upon everybody.

The citizens always took up arms readily against thieves, wolves or scoundrels, often against nobles or Huguenots, sometimes against the king, but never against the cardinal or Spain. It resulted, then, from this habit that on the said first Monday of April,the citizens, on hearing the clamor, and seeing neither the red-and-yellow standard nor the livery of the Duc de Richelieu, rushed toward the hostel of the Jolly Miller.

When arrived there, the cause of the hubbub was apparent to all.

The Three Musketeers by Alexandre Dumas (Book Analysis)

A young man--we can sketch his portrait at a dash. Imagine to yourself a Don Quixote of eighteen; a Don Quixote without his corselet, without his coat of mail, without his cuisses; a Don Quixote clothed in a woolen doublet, the blue color of which had faded into a nameless shade between lees of wine and a heavenly azure; face long and brown; high cheek bones, a sign of sagacity; the maxillary muscles enormously developed, an infallible sign by which a Gascon may always be detected, even without his cap--and our young man wore a cap set off with a sort of feather; the eye open and intelligent; the nose hooked, but finely chiseled.

Too big for a youth, too small for a grown man, an experienced eye might have taken him for a farmer's son upon a journey had it not been for the long sword which, dangling from a leather baldric, hit against the calves of its owner as he walked, and against the rough side of his steed when he was on horseback.

An analysis of the three musketeers book by alexandre dumas

For our young man had a steed which was the observed of all observers. It was a Bearn pony, from twelve to fourteen years old, yellow in his hide, without a hair in his tail, but not without windgalls on his legs, which, though going with his head lower than his knees, rendering a martingale quite unnecessary, contrived nevertheless to perform his eight leagues a day.

Unfortunately, the qualities of this horse were so well concealed under his strange-colored hide and his unaccountable gait, that at a time when everybody was a connoisseur in horseflesh, the appearance of the aforesaid pony at Meung--which place he had entered about a quarter of an hour before, by the gate of Beaugency--produced an unfavorable feeling, which extended to his rider.

And this feeling had been more painfully perceived by young d'Artagnan--for so was the Don Quixote of this second Rosinante named--from his not being able to conceal from himself the ridiculous appearance that such a steed gave him, good horseman as he was.

He had sighed deeply, therefore, when accepting the gift of the pony from M. He was not ignorant that such a beast was worth at least twenty livres; and the words which had accompanied the present were above all price. Never sell it; allow it to die tranquilly and honorably of old age, and if you make a campaign with it, take as much care of it as you would of an old servant.

At court, provided you have ever the honor to go there," continued M. By the latter I mean your relatives and friends. Endure nothing from anyone except Monsieur the Cardinal and the king. It is by his courage, please observe, by his courage alone, that a gentleman can make his way nowadays.

Whoever hesitates for a second perhaps allows the bait to escape which during that exact second fortune held out to him.Summary The Three Musketeers written by Alexandre Dumas is a heroic story in the age of the King of France in sixteenth century. D’Artagnan who is the major character starts to move to Paris to be a musketeers by suggest of his father.

About The Three Musketeers. A major new translation of one of the most enduring works of literature, from the award- winning, bestselling co-translator of Anna Karenina-with a spectacular, specially illustrated cover The Three Musketeers is the most famous of Alexandre Dumas’s historical novels and one of the most popular adventure stories .

THE THREE MUSKETEERS| Alexandre Dumas|Free download|PDF EPUB|Freeditorial

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Ok. Ebook Subscription. Business eBook Subscription. THE THREE MUSKETEERS Book by ALEXANDRE DUMAS pb See more like this. SPONSORED. The Three Musketeers-by Alexandre Dumas Fils-The Heritage Press Heritage Press · Illustrated.

$ Buy It Now. Free Shipping. The Three Musketeers-by Alexandre Dumas Fils-The Heritage Press See more like this. The Three Musketeers, published in , is typical of Dumas's works: quick-witted heroes who fight and love unceasingly, fast-paced narrative, and entertaining tranceformingnlp.com its romantic subject matter, the book is typical of its time; what is not typical is the fact that it has survived and remains entertaining and accessible for modern readers.

The Three Musketeers study guide contains a biography of Alexandre Dumas, literature essays, quiz questions, major themes, characters, and a full summary and analysis. About The Three Musketeers The Three Musketeers Summary.

The Three Musketeers Analysis